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| Description |
Pure Rage : 28 days later : 30 minutes of Interviews and making of documentary. The film was produced by Danny Boyle, the director of Trainspotting. Set 28 days after a devastating epedemic ravages Britain, it follows the story of some of the survivors. With clips and discussion from eminent scientists and public health officials.
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| Company information |
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Caption |
| Narrator (female) |
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28 Days Later is a terrifying new thriller from Danny Boyle |
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the man who brought us Trainspotting. |
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Set 28 days after a devastating epidemic ravages Britain, |
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the film follows a handful of survivors as they struggle to make sense of the aftermath. |
| Danny Boyle (Director) |
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Very simply its the story of a group of survivors |
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trying to make their way to safety after the outbreak of a terrible viral infection |
| Andrew Macdonald - Producer |
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It gives people this incurable disease which fills their veins and blood |
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with pure rage, and turns them into these infective people. |
| Cillian Murphy - 'Jim' |
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And then eventually, everything just stops, and there's only so many people left. |
| Jim |
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Hellooo ! |
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HELLO ? |
| Narrator (female) |
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But how far from reality though, is the premise of 28 days later ? |
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And how protected are we from a new killer pandemic ? |
| Scientist #1 |
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[Offscreen] We evaluated overall trends and deaths from infectionus diseases. |
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Looked at in this way, infectionus diseases haven't gone away. |
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They have increased as a cause of death in recent years, after decades of decline. |
| Andy Coghlan 'New Scientist Mag' |
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The threat to us at the moment, from infectious diseases |
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is probably as big as it's ever been, and getting worse. |
| Prof Brian Duerden - PHLS |
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The threat of infection to human mortality on a worldwide scale is still very great. |
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We have to anticipate there will be a major pandemic, |
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at some stage there will be many deaths associated with that. |
| Naomi Harris - Selina |
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I remember actually when I was at secondary school, and my teacher was saying |
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that, you know, we shouldn't worry about global warming or any of these things |
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You should worry about viruses - and for some reason that was always stayed with me. |
| Danny Boyle (Director) |
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There was something very interesting that happened while we were filming. |
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There were two German scientists, erm who created a totally synthetic polio virus. |
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But they got all the material off the web. |
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This is the new fear isn't it - you know, even in weapons of mass destruction |
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What everybody's really worried about is the anthrax, smallpox, those kind of things |
| Andy Coghlan 'New Scientist Mag' |
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Infectious diseases are indeed the new paranoia that's striking western society. |
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It is this fear of invisible threats to you , you know, |
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just something there in the air, waiting to strike. |
| Prof John Stanford - UC, London |
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If you forget about a disease and consider it beaten, then erm, |
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the organism will take the opportunities which you increasingly offer it. |
| Narrator (female) |
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Nothing else has the power to bring a nation to it's knees |
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like the consequences of a killer epidemic. |
| Prof Brian Duerden - PHLS |
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I expect new things to appear over the years |
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but you can't predict when and where. |
| Andy Coghlan 'New Scientist Mag' |
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I don't think we're ever far from the next pandemic. |
| Narrator (female) |
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Over the last ten years, an alarmingly high number of national crises |
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have been a direct consequence of infectious disease. |
| Cillian Murphy - 'Jim' |
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There's always been rumblings - I mean I always felt a little uneasy |
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in the way things have been going - |
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it's constantly testing what the world can take, you know ? |
| Narrator (female) |
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In the case of 'foot and mouth', it resulted in the slaughter of over 5 million animals. |
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That's more than the entire human population of Liverpool. |
| Andy Coghlan 'New Scientist Mag' |
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We saw in the foot and mouth epidemic, just how quickly things can spread. |
| Narrator (female) |
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More than 127,000 farms were subjected to infected area restrictions. |
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It put the greatest strain imaginable on the countries animal health services. |
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Eventually it resulted in the military being drafted in. |
| Major Henry West |
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So you heard our broadcast ? |
| Jim |
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Yeah, we did. |
| Major Henry West |
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We must be a disappointment. |
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You were hoping for a full brigade, an army base with helicopters and a field hospital. |
| Jim |
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I just .. hoping for .. |
| Major Henry West |
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The answer to infection. |
| Jim |
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Uh, yeah. |
| Narrator (female) |
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The cost to the economy has been estimated at over 4.2 billion pounds. |
| Prof John Stanford - UC, London |
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From the recent outbreak of foot and mouth disease, |
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I think we've actually learned some important lessons. |
| Prof Brian Duerden - PHLS |
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We can't always prevent the outbreak of infectious diseases in the UK |
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Our aim is to pick them up quickly, provide the evidence |
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on which containment measures can be taken |
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and build a protection system such as through vaccination. |
| Narrator (female) |
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If an illness can spread so quicly, and have such an effect on the nations livestock, |
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surely it's not just the animals that are at risk. |
| Andy Coghlan 'New Scientist Mag' |
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We need to take very seriously the possible threat |
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of diseases moving from animals to us. |
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It's now been almost incontravertibly established that the virus which causes |
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HIV in us, came from monkeys. |
| Prof Brian Duerden - PHLS |
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One concern that is high in peoples minds is the ability of some organisms |
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to transfer from animals to people and cause serious disease. |
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There are over 400 pathogens that can already transmit from animals to people. |
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In Malaysia a few years ago, a big outbreak of what was called Nippa Virus |
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in pigs, jumped straight to human beings and caused over 100 deaths. |
| Andy Coghlan 'New Scientist Mag' |
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We shouldn't assume that if a disease is in an animal |
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that it won't at some stage pose a threat to us. |
| Narrator (female) |
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At the moment, foot and mouth can't infect humans. |
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but there is a chance it might evolve. |
| Frank |
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Like a family |
| Hannah |
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Do you think they're infected ? |
| Frank |
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Naah |
| Andy Coghlan 'New Scientist Mag' |
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Look at variant CJD. You know, the human form of mad cow disease. |
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Where was that 30 years ago ? It didn't exist. |
| Prof Brian Duerden - PHLS |
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Our concern is that new diseases do arise and will arise. |
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That's the whole nature of evolution. |
| Jim |
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Got some bad news. |
| Andy Coghlan 'New Scientist Mag' |
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Increased mobility is one huge factor in that. |
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Much more international travel than we've ever had before. |
| Selina |
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The day before the TV and radio stopped broadcasting |
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there were reports of infection in Paris and New York. |
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We didn't hear anthing more after that. |
| Prof Brian Duerden - PHLS |
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Infection knows no boundaries, no man made boundaries between countries |
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So there has to be international collaboration |
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in catching the spread of infectious diseases. |
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But in the very nature of evolution, new ones will evolve or change |
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and be able to cause disease.
We have to be ready to deal with them. |
| Jim |
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How about the government - what did they do ? |
| Selina |
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There's no government. |
| Jim |
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Course there's a government. |
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There's always a government - they're in a - v - err, a bunker, or a plane. |
| Brian Gleeson - 'Frank' |
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The notion that we can put our faith in institutions, |
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and forget about them is what the danger is. |
| Andrew Macdonald - Producer |
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We saw a load about that with the BSE thing - you know, |
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they just - ahh - they couldn't cope. |
| Brian Gleeson - 'Frank' |
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The notion that you can say - |
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'Well, I haven't gone there so that means I'm safe' - is a nonsense. |
| Army voice, on radio |
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[Gunfire] The answer to infection is here. |
| Selina |
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If it's a recording, for all we know the soldiers who made it are dead. |
| Frank |
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It's possible, yeah. |
| Selina |
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And that stuff about the answer to infection, I mean - |
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there is no answer to infection, its already done pretty much all the damage it can. |
| Jim |
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Maybe they have a cure. |
| Selina |
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Maybe they've got nothing at all. |
| Frank |
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[Shouting] Well the only way to find out is to reach them. |
| Selina |
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We could die trying , Frank. |
| Narrator (female) |
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In the last year of the 20th century, communicable diseases |
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accounted for an estimated twenty five percent of deaths worldwide. |
| Prof Brian Duerden - PHLS |
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When you look at tuberculosis worldwide, and malaria and the other infectious diseases |
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and gastroenteritis in the third world, these are major killers. |
| Narrator (female) |
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Every day the human body is coming under attack from disease causing microbes. |
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Nobody is immune. |
| Prof John Stanford - UC, London |
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We're living in a sea of bacteria, let there be no doubt about that. |
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They're in our environment, they're on our skin. |
| Narrator (female) |
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So, the idea of a new killer epidemic infecting the country is not far fetched at all. |
| Prof Brian Duerden - PHLS |
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In the United States, we've seen the west nile virus, which is a disease of birds, |
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spreading between them by way of mosquitos. |
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But if those mosquitos happen to bite people |
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they can transmit the virus to people, who get an encephalitis. |
| Prof John Stanford - UC, London |
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But it would be very unfortunate if people didn't sensibly think |
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'If there is an outbreak that suddenly strikes the place, well, lets follow certain simple rules.' |
| Cillian Murphy - 'Jim' |
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Cause if something like this were to happen, |
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like in scares and biological warfare, |
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That's what you see happening - you see this panic, you know. |
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And what you get in this is sort of the remnants of panic. |
| Major Henry West |
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I looked down and I was standing on all these people. |
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Like a carpet, people who had fallen, and somewhere in the crowd they were infected |
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It spread fast ! |
| Narrator (female) |
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It's not so much a question of will it happen, but when will it happen. |
| Prof John Stanford - UC, London |
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Just as the Darwinian principles of survival of the fittest |
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and evolution are accepted for mammals |
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then the same is happening at a much smaller level for bacteria. |
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And that whenever they're put under intolerable pressure |
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And that may be by the common use of an antibiotic for example, |
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then they will pretty rapidly find a way round it. |
| Jim |
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If you travel during daylight, if you've got no choice ? |
| Narrator (female) |
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So what is the virus that wipes out the population of London in '28 days later' ? |
| Andrew Macdonald - Producer |
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Scientists are experimenting and trying to find a cure for Rage. |
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Kind of like a suppresant drug, like valium for depression or whatever. |
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Very roughly. And - it goes wrong. |
| 'Rage researcher' |
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I know who you are, I know what you think you're doing. |
| Animal rights activist |
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If you don't want to get hurt, keep your mouth shut and don't move a muscle. |
| 'Rage researcher' |
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The chimps are infected ! |
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They're , they're highly contagious. They've been given an inhibitor. |
| Animal rights activist |
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Infected with what ? |
| 'Rage researcher' |
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In order to cure, you must first understand. |
| Animal rights activist |
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[shouting] Infected with WHAT ? |
| 'Rage researcher' |
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Rage. |
| Danny Boyle (Director) |
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It's a primate based virus. |
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It's hideously virulent. |
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It's spread by contact with the blood. |
| Andrew Macdonald - Producer |
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Scratches, bites et cetera. |
| Danny Boyle (Director) |
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And it leads to the al - |
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Permanent, appalling state of aggression. |
| Naylor (Infected soldier) |
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Arreghhggh yhharrr ! |
| Major Henry West |
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Naylor - Jim. |
| Naylor (Infected soldier) |
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Arrrhhhh yuggrrrrahhhh ! |
| Army voice, on radio |
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Jim - Naylor. |
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Got infected three days ago. |
| Naomi Harris - Selina |
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Feel this incredible rage, which blots out any other feeling at all. |
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And you know, rage manifests itself in just totally wanting to destroy another person. |
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Destroy buildings, its just about complete destruction. |
| Danny Boyle (Director) |
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Imagine yourself in your worst moment of road rage. |
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And multiply it by a million. |
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And, that's what these people are like. |
| Christopher Ecclestone (Major Henry West) |
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It opens up big philosophical things about whether we |
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whether its a very modern disease or whether it's always been with us. |
| Danny Boyle (Director) |
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It's actually part of use, and all it's doing is bringing out something |
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that we'all terribly, I'm afraid - capable of. |
| Selina |
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[To Jim] When someone gets infected, you've got between ten and twenty seconds to kill them. |
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It might be your brother, or your sister, or your oldest friend. It makes no difference. |
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And just so you know where you stand, if it happens to you, I'll do it in a heartbeat. |
| Brian Gleeson - 'Frank' |
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We've fled this whole notion of rage, and you know, |
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the modern malaise and the infection of it. |
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And we come into something that's even more frightening |
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Which is where the notion of survival hits base. |
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And where it's every man for himself. |
| Cillian Murphy - 'Jim' |
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The wold is over. So, its just how you deal with continuing life. |
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Helloooo ! [End of pat one] |
| Jim |
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Done a lot of thinking. |
| Selina |
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You were thinking that you'll never hear another piece of music again. |
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You'll never read a book that hasn't already been written. |
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Or ... see a film that hasn't already been shot. |
| Jim |
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Erm, that's what you were thinking. |
| Narrator (female) |
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In 28 days later, the film makers created a thoroughly gripping vision |
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of a country crippled by a new disease. |
| Andrew Macdonald - Producer |
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For me, when you read a screenplay that's a good screenplay |
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you see the film, and that's the way Alex writes. |
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If you've read 'The Beach', whatever you think of the story, |
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I think you visualise it, and you want to know what happens next. |
| Cillian Murphy - 'Jim' |
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I tried to make the most, of the script, and the intelligence of it |
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and the issues it was trying to investigate, |
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and the comment it was making on society in general. |
| Frank |
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If you look at the whole life of the planet, |
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Man has only been around for a few blinks of an eye. |
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So if the infection wipes us all out |
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that IS a return to normality. |
| Christopher Ecclestone (Major Henry West) |
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I thought the script was terrifying. I thought it was a real page turner. |
| Brian Gleeson - 'Frank' |
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When I find myself saying the lines in my head |
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I usually figure its not - I wouldn't be mis-cast in it. |
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I was rading it, thinking - 'this is my kind of film' |
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and so it's like - I'd go and watch it in the cinema, and so. |
| Christopher Ecclestone (Major Henry West) |
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And that's what I said to him - I said 'I like this Danny, it's terrifying' - 'good, good' |
| Sound effects |
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[Extended gunfire] |
| Narrator (female) |
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In maintaining a realistic edge to the film, |
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the film makers decided to use a cast of less familiar actors. |
| Cillian Murphy - 'Jim' |
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Jim is like the everyman, you know what I mean - he's just a guy off the street - he's a bike courier. |
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He wakes up out of a coma in a hospital, and the hospital's just completely abandoned. |
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And he walks out over to Westminster Bridge, and then it's just desolate |
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and signs of, that something unusual has 'gone down' |
| Naomi Harris - Selina |
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Selina is one of the people who's survived the rage virus. |
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that's been set loose, she's had to shut down emotionally in order to survive. |
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So she's quite cold. |
| Selina |
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You should be quite concerned about whether they're going to slow you down. |
| Jim |
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Right , because if they slowed you down ... |
| Selina |
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I'd leave them behind. |
| Jim |
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In a heartbeat. |
| Selina |
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Yep. |
| Jim |
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I wouldn't. |
| Selina |
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Then you're going to wind up getting yourself killed. |
| Brian Gleeson - 'Frank' |
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I have this wonderful relationship with my daughter. |
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And we're hiding out in the survival mode. |
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Erm, in a high rise flat. |
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He was just a very beautifully written character. |
| Frank |
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[whispering] Have the spare room... there. |
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Are you and Selina ... |
| Jim |
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[Whispering] Wha - No, no no no. |
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Err, No, I'll take the - I think that's fine. |
| Christopher Ecclestone (Major Henry West) |
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I play a character called Major Henry West, who's a senior officer in the British Army. |
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Erm, he and his eight soldiers are uninfected. |
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But basically what he's done is he's taken over a stately pile, a mansion. |
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Erm, and he's made it impregnable. |
| Major Henry West |
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High perimeter wall, which helps. And we've been lacing the ground with tripwires and landmines. |
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You wouldn't want to mow the lawn. But if they get in , we hear them. |
| Naomi Harris - Selina |
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She doesn't trust the army saying that they have the answer to infection. |
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And she knows that actually there is no answer to infection. |
| Christopher Ecclestone (Major Henry West) |
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He represents the head, and Jim, represents the heart. |
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and ultimately there's conflict between the two. |
| Sound effects |
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[Soldiers shouting outside : Get him on the floor] |
| Major Henry West |
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I want to give you a chance. You can be with us. |
| Narrator (female) |
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To create a more urban feel to the images, the film creators chose digital video over film. |
| Danny Boyle (Director) |
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I think its beutiful for urban work. It has a grittiness about it. |
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thats magnificent for your city movie, really. |
| Jim |
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Hey hey hey hey - what's that ? |
| Danny Boyle (Director) |
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This is the way we record our lives. |
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We are surrounded in this city by cameras. |
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they're everywhere, and there are all these DV cameras, all types of them |
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and they're recording our every motion, all the time. |
| Andrew Macdonald - Producer |
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It definitely suits the story. Suits a British story, that sort of slightly rough edge. |
| Danny Boyle (Director) |
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I think when you want something like this to feel really real, |
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you know, it's an appropriate medium to use. |
| Jim |
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Hello ? |
| Sound effects |
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[Door bursts open. Scratching, panting from zombie] |
| Cillian Murphy - 'Jim' |
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On a few occasions, you might just go 'Phew' - and - there's a camera - there ! |
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So you have to be aware of it all the time you know. |
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But its great cause you can get so many different perspectives, |
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and there's a few things you can't do with big 35 mil cameras. |
| Danny Boyle (Director) |
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You can't just wait for your single or your close up shot or whatever. |
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You're always mindful there's always at least two cameras on the go. |
| Christopher Ecclestone (Major Henry West) |
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What you've got to be aware of as an actor |
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because you can sometimes think its a wide shot |
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and there's one stuck in there that is covering you very close. |
| Narrator (female) |
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The film shows a post apocalyptic landscape created in the aftermath of the epidemic. |
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But creating a completely deserted vision of London was no easy task. |
| Andrew Macdonald - Producer |
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We never would have shot that with film. |
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The police and the councils were quite happy to assist us doing it |
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cause we could do it so quickly. It would be ready to shoot in lterally, minutes. |
| Danny Boyle (Director) |
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Walking round deserted London was a big buzz. |
| Cillian Murphy - 'Jim' |
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The word Action, and you're in it, you know |
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And there was nothing there. And once you get into that space in your head, it was fantastic. |
| Danny Boyle (Director) |
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What we tried to do was try to find kind of iconic images |
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that again did the work of a huge, huge budget, you know. |
| Andrew Macdonald - Producer |
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When you see the whole of Westminster Bridge and the Embankment all closed - for you - |
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and the traffic stopped and you can't hear anything, it's pretty exciting. |
| Jim |
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The triumph of actually managing to make that look deserted |
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was quite - you know, it's incredible. |
| Danny Boyle (Director) |
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One of the problems with emptying London now, |
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is that, like I think probably before dance music you could have probably done it. |
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But now because of dance culture of course, which has opened clubs |
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people are piling out of the clubs at dawn, and they kind of overlap with the people coming to clean the offices. |
| Narrator (female) |
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The filming also required an entire section of the M1 to be closed. |
| Naomi Harris - Selina |
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I think they only gave us two or three goes at it. |
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So you didn't have very much time, and you were under a great deal pressure to get-this-right. |
| Cillian Murphy - 'Jim' |
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There was like windows where you had three or four minutes |
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to get the shot when the traffic is held down the road erm, |
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So it was brilliant, but it was a weird experience again, to see a motorway of that size just empty. |
| Christopher Ecclestone (Major Henry West) |
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That was unbelievable, I thought that was quite chilling actually that set, |
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with the motorway blocked off and a big sign for Manchester and desolation. |
| Frank |
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Must be Manchester. |
| Jim |
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The whole of Manchester - the whole city ! |
| Danny Boyle (Director) |
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When you do it for real, things happen you know - actors are different |
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and it changes everything, because suddenly it's there for the actors, |
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they don't have to imagine that the traffic will be removed or that the dinosaur will be there |
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I mean it actually is there for them. |
| Narrator (female) |
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The film also reqiured a large team of make-up artists to create the infected look. |
| Christopher Ecclestone (Major Henry West) |
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We've been experiencing a lot of gore at the moment, lots of buckets of fake blood |
| Cillian Murphy - 'Jim' |
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Gallons of edible bile and spewy vomit and .. |
| Sound effects |
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Uuuurgghhhuck !!! |
| Cillian Murphy - 'Jim' |
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All sorts of different variations on blood - but you become immune to it - . |
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I mean there you are sitting down having you lunch, covered head to foot in - bluurgh! |
| Megan Burns (Hannah) |
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Its a bit surreal - you're sitting there and then there's this infected person walking past |
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eatin and like, sitting next to you or whatever. |
| Andrew Macdonald - Producer |
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In the end it is very gruesome, very gruesome |
| 28 days [Actors] |
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I've still got a bit of him in me teeth look. |
| Christopher Ecclestone (Major Henry West) |
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Danny, he really likes all that stuff doesn't he - cause he's behind the monitor |
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and I thought - yeah its a recurring theme with Danny, this sort of ultra violence haha. |
| Danny Boyle (Director) |
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There's two kinds of effects in the film really, to try and create a plausible world |
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ie, a post-apocalyptic plausible world - and also an atmospheric world |
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that is very - that has a strange atmosphere about it. |
| Andrew Macdonald - Producer |
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The one that really got me was the rain. |
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Cause rain is really really - makes things so difficult. |
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Because by the time you've got the rain right and the light right |
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and the angle so you could see the rain, and then try to do the shot, you know. |
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It was, that was very difficult. |
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We used a digital effect more to try and create an atmosphere. |
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Particularly use of colours in the film. |
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Because you're in a digital medium anyway, it's very responsive. |
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You can actually play with the visual impact of the film in different ways - |
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you know, there's a freedom to do that. |
| Narrator (female) |
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Essential for the action sequences was a high level of fitness. |
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Some of the cast endured military training. |
| Christopher Ecclestone (Major Henry West) |
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We ad a two, three day boot camp. |
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where we did military exercises. |
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It was an experience, I tell you, I can tell you that much. |
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It was a - I'm used to staying indoors overnight (laughter) |
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That didn't really work out. |
| 28 days [Actors] |
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It was hard stuff. But, I'm glad I did it, I'm glad I stuck it out because I think it's all showing on screen |
| Christopher Ecclestone (Major Henry West) |
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And they're putting us right on the edge |
| 28 days [Actors] |
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